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ABOUT THE ARTISTS
- Camille El Bacha (Piano)
Concert pianist, improviser and composer Camille El Bacha began studying piano at the age of eight. Trained in turn by Edda Erlendsdóttir, Romano Pallottini, Olivier Gardon and Billy Eidi, he developed his own musical language in Jean-François Zygel’s improvisation class at the Paris Conservatoire. Graduating with a piano diploma and a master’s degree in improvisation, he was also awarded prizes for harmony and analysis after courses at the conservatoire with Fabien Waksmann and Yves Balmer. Camille El Bacha has appeared at the Chopin Festival at the Parc de Bagatelle in Paris, the Le Monde Festival at the Théâtre des Bouffes du Nord, ‘la Semaine du Son’ at Flagey, Brussels, and the Piano Passion Festival at the Opéra de Saint-Étienne, among many others. He is also highly in demand as a cinema pianist, notably at the Fondation Jérôme Seydoux-Pathé, and at the Cinémathèque Française. His experience as a film music composer has also led to collaborations with Arte, France Télévision, and more recently with contemporary French cinema productions. Fascinated by the idea of a journey through different styles, he also places his classical training at the service of the French song repertoire as well as world music and electronic music, notably in his new project ‘Leone Jadis’.
- Naghib Shanbehzadeh (Percussion)
Born in 1993 in Boushehr in southern Iran, Naghib Shanbehzadeh began playing music at the age of three alongside his father Saeid. At 23, Naghib Shanbehzadeh already had a decade of concert experience. Having collaborated with musicians such as Billy Cobham, Manu Codjia and Matthieu Donarier, the young Iranian percussionist has also been a member of the Shanbehzadeh Ensemble since the age of 10. He has benefited from both oral instruction (traditional percussion from southern Iran) and written instruction (Western percussion at the Créteil Conservatoire).
PROGRAMME
Camille El Bacha (France/Lebanon) and Naghib Shanbehzadeh (Iran) present new creations where piano and oriental percussion meet. The soft, mellow tones of an intimate piano mingled with the warm, organic skins of the percussion reveal a compelling, hypnotic, all-enveloping music, classically influenced and even directly inspired by pieces in the repertoire.
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